Friday 30 May 2014

Project Ulysses

    


     Although I admit, and am proud of, being a book addict, my habit only started 4 years ago and I started with the small stuff, mysteries, thrillers, things that could hold my interest for 400+ pages after I had been only used to reading small books in Arabic. I worked my way up to more heavy reads, but I only got into the world of literary classics about two years ago. So it's no surprise I only got to know about Ulysses a little over a year ago.

    Ulysses, I came to find out, is a masterpiece of twentieth century literature (I can't say yet but at least most of the sources I checked said that). Ulysses is one of only a handful of books written by the Irish author James Joyce and it was first published in 1922 by the owner of the original Shakespeare and Company in Paris Sylvia Beach. There was a lot of controversy surrounding Ulysses when it first came out and it was
banned in the US. So, put yourself in my place, you find a book that is a masterpiece, written by a man hailed by many as being one of the few geniuses in this world and fewer yet to have written fiction, the book itself is surrounded by controversy only a handful of books enjoy and reading it is considered a challenge in itself; wouldn't you be hooked?

     Since I haven't read the book yet I can only repeat some of what I read about it on the internet. For more information you can check the link here and here and here, although I suggest you just pick a copy and join me in Project Ulysses.

James Joyce
     In order to explain what Project Ulysses is, let me first share with you a few of the things that prompted me to start it.

     All the hype surrounding Ulysses and its author made me determined to read it. To be honest, a big part of it might be just to be able to say that I have in fact read Ulysses, but I am hoping to enjoy it like so many others who have. I can only judge the book after reading it so why not just get on with it. But it turns out there are many steps of preparation to do before embarking on such an endeavour. This is not to say that you can't just pick up the book and read away, but rumour has it, Ulysses is a hefty read filled with twists, turns and hidden meanings that you might miss out on much of the fun if you are not ready.

     First step of being ready is choosing the edition which you will read. There are up to 18 editions of Ulysses but the most famous are only three or four of them and from what I gather, if you are a casual reader it won't really make a difference. In any case, I decided to go with the 1961 edition that is used in the Vintage and Penguin copies of the book. This site here was very helpful when it came to deciding on the edition.

    After that came the research, I found out that James Joyce based the structure of his book in a manner similar to the epic Odyssey by Homer and there are quite a few allusions in Ulysses relating to The Odyssey, which is why it was advised to read The Odyssey first so that you wouldn't miss out on those parts. So I got myself a copy of The Odyssey (many copies in fact and each time I started one only to realize I understand nothing of it until I stumbled upon an ebook from Barnes and Noble that did the trick).

     Another thing was using guides to Ulysses as you read the book, many people are in favour of it, a few others are against it. I tried to choose a middle ground. The New Bloomsday Book: A Guide Through Ulysses by Harry Blamires breaks down each chapter of Ulysses and gives a quick easy-to-understand overview of each chapter. It's not too big and it doesn't get into too many details, it just brings some things into focus; according to majority consent, that's something one needs when reading Ulysses. I will be reading it after each chapter from Ulysses, so I went and searched for that guide too, but I found it was out of print and I had to buy it off ebay to get a reasonable price.

     So by then I had The Odyssey and The New Bloomsday Book and I knew which edition to but but I hadn't bought it yet. In a cheesy gesture (one that I still stand by and do not regret one bit) I waited till I was in Paris so that I could buy my copy of Ulysses from the current Shakespeare and Company on the left bank of the Seine in a melancholic nod to the origins of the book.

     Although I had my copy for about six months and it was stamped with the famous stamp of the book store, I stumbled during a business trip on another copy, the paperback Vintage one,with a green cover reminiscent of the Irish green. It called out to me and I had to have it. After all I am a book addict; I fall for these things.

    Armed with not one but two copies of Ulysses, I needed to get to the next stages of preparation; reading Joyce's other works that build up to Ulysses in order to further ensure that I enjoy and savour it when I actually do come to it. Eventually.

   Dubliners is a collection of short stories on life in Dublin in that time. It was published in 1914 and could be considered his first major published work. I read Dubliners once before, but I guess I was reading it all wrong because I didn't get it and later I realized I should approach it in a different manner so that I can appreciate it and also for it, Dubliners, to help as a stepping stone to Ulysses. Since its language is simple and the prose easy and enjoyable it should be a good introduction to Joyce before the heavy stuff.

     Two years after that, in 1916, in the US Joyce published A Portrait of The Artist As A Young Man, his first novel. It has to be read before Ulysses if for no other reason than that the protagonist of  A Portrait of The Artist As A Young Man is a major character in Ulysses. I got my copies of both these books from different book stores, a fact that adds to the excitement of Project Ulysses and just feeds the addict inside me.

     Now, having lined up, The Odyssey, Ulysses itself, Dubliners and A Portrait of The Artist As A Young Man, I thought I was ready to start. And I did. It took me months to read The Odyssey but it was finally over last week. However, during these months I made two more discoveries. First, that it would also help to read Shakespeare's Hamelt, because many of its themes are used in Ulysses, so naturally...yes, you guessed it, I got myself a copy of Hamlet and stuck it with the Project Ulysses pile. Second, I became so intrigued by the author himself I went and bought a book about him called James Joyce: A Life by Edna O'Brien

     I believe now the preparation stage is over and it is time for execution. I already kept myself busy reading The Odyssey but now it's time to get in to the more juicy stuff. I have decided to begin Project Ulysses by rereading Hamlet then the short biography James Joyce: A Life, just so I can appreciate the writer himself a little more. That is when I will jump into Dubliners and after that I will tackle A Portrait of The Artist. By that time I believe I will be primed and ready for the Pièce de Résistance itself.

     I will be chronicling my journey with Project Ulysses here, so if you want to you can follow it and better yet you can join in with me. How much time is this going to take, I do not know. I will not claim to be doing this project because James Joyce is a genius and everything he wrote must be read and cherished by everyone; I haven't read his work yet so I don't know, although I do have a strong feeling I will like his work and that I will become a believer eventually. But the real reason for doing it is the journey, the experience itself, trudging through page after page of supposedly enjoyable prose and searching for those gems of sentences and hopefully stumbling upon enough of them to make the journey worthwhile.

     Besides, I'm a book addict, remember; we don't need reasons to read more books, we just like to justify it. It makes easier for others to accept our habit. But we know the truth.


     To join in on Project Ulysses, add you comments or send me an e-mail. Also you can follow this blog or #projectulysses on Twitter. If you have read Ulysses before let us know what you think, just no spoilers!

Thursday 22 May 2014

Perfect









“I’m beginning to think chaos is underrated”; a central quote in a story about how imperfect life is, and the price some people pay in their quest to make it what it will never be; perfect.
Rachel Joyce, the British author who brought us the award winning debut novel The Unlikely Pilgrimage of HaroldFry, returns with her second novel, Perfect, published in 2013, to discuss some very profound topics, yet basing her story on a very simple premise. At the beginning of the story, in 1972, 11-year-old Byron Hemmings, is told by his highly intelligent and observant friend, James Lowe, that the government will add two seconds to time, because of some anomaly in the alignment of time with the spinning of the Earth. Just two seconds. Can two seconds change a life? Can two seconds disrupt the perfection of one’s life? Or was the perfection all but a fragile stage set waiting to be blown over to expose what was hidden?

Rachel Joyce’s novel Perfect tackles these questions and much more. She never really states these questions out loud so as not to be too preachy, and she also doesn’t force a certain answer down the reader’s throat. The ensemble of characters is not large, and all of them are consistent throughout the story and act in manners realistic enough for us to believe them.

I’ve read both her novels and although they lack some of the characteristics of more experienced authors, I still liked both books because of the subjects she tackles. Although her plots are not the strongest or most intriguing, her stories make you think about your life and that is enough to keep you reading.

Her style is soft, and her language easy, which will make for a quick read, but you’ll still be left with a lot to think about. If I were to have one comment on this book is that it shows signs of being the author’s first novel (she announced that she started writing this novel first but it wasn’t completed and published till later). Since I am trying to work on my first novel myself, I could sense the similarities between her writing and my own. It’s clear that many of her characters and also scenes in the story are based on things from her real life. For some, this maybe a signal not to pick up this book, but for me it was the great thing about this story; it was written because it is a story that the author felt the need to tell, something she needed the world to hear, and that, at least in my opinion is what writing is all about.

It’s challenging to write a review and tell the readers about the merits of the story without giving any of it away, but I’ll tell you this much; issues of obsession, mental illness, peer pressure and the stress of trying to please everyone around you are only a few of the themes in this story and the author touches on all of them nicely.

Byron and James are two central characters in Perfect and Joyce puts us inside their heads and succeeds in making them believable. Diana, Byron’s mother, is another pivotal character whom, at times, makes you feel sorry for her and at other times will irritate you; just like most people you know. Even Byron’s father, Seymour, although he doesn’t have much “stage time”, his presence is always felt and his influence in the story is far from little.

Perfect may well be the author’s actual first attempt at a novel, but it is true enough and sincere enough to make you cheer for her, and value what it means to sit down, pour part of your life and soul into a story and share it with the world. So, despite its flaws, isn’t that enough to make it, Perfect?

Friday 16 May 2014

The Goldfinch


The Goldfinch isn’t just a story; it’s an experience.

As I was reading through The Goldfinch I struggled with how I’m going to write this review. At first, the book took off to a very quick start and the opening scenes are enough reason to read The Goldfinch. Then for a while it was slow (at least I thought so) and I didn’t find much merit in the book to talk about (beyond that opening part I mentioned). But after that I realized the problem was how I was approaching the story. Because of the fast pace with which the story kicked off, I was misled to thinking this was what the book was about; a fast-paced, keeps-you-turning-the-page thriller. Although it wasn’t fast-paced, it kept me coming back to it whenever I had free time, and it definitely kept me turning the pages. And then, about half way through (which wasn’t much because most of the good stuff was still to come), it hit me what this book was really about. It’s about life. And you don’t rush life, you live it. You experience it.

Let me break it down for you first. The Goldfinch is the latest novel by American author Donna Tartt published in 2013. Her last novel before that was published in 2002 and she only wrote three novels in her whole career! But after reading The Goldfinch, I appreciate that she took her time.

The Goldfinch has been described as “a modern day epic”. I must admit I haven’t read many books that have been described as such but now that I’ve finished the book, I’d say that that description is quite true. The way I’d put it is this: The Goldfinch is the life story of Theo Decker, but we will each see resonances of our own lives in it.

The story begins with a tragic incident that happens to Theo when he is only thirteen years old. From there on his life becomes linked to this rare painting called The Goldfinch, and it’s up to us, the readers, to follow his story, enjoy it, and reflect on our own lives as we go on.

I don’t want to get into too many details about the plot so as not to spoil it for you, but I can tell you this much: the story may seem slow (it’s about life, not car chases) but when you let your guard down and think nothing new is going to happen, something does happen and you keep turning the pages. The other thing I’d like to tell you is that the last two hundred pages are worth the time and money you will invest in this book.

Donna Tartt does two great things in The Goldfinch: (1) her characters are some of the most vivid and loveable characters I’ve read. (2) She breaks down the book into parts that can be separate short stories on their own, each with a different setting and mood. When immersed in the story you might not notice it, but every once in a while, if you step back and look at the whole picture, you will realize how different the writing is from one part to another; very different that it sets a different mood, yet consistent enough to maintain the voice of each character despite the passing of years and the characters growing up.

As far as characters are concerned, there are four main ones in The Goldfinch; Theo Decker, the protagonist, Boris, his friend, Pippa who, for lack of a better description, I’d call the love interest and last but not least, James Hobart, also known as Hobie. These may be the four main characters, but the cast of The Goldfinch is more than just four, and they are all as important and as well-written as the ones I mentioned. It’s probably worth noting that even Theo’s dog has a personality that comes across clearly and that the author manages to keep consistent throughout the whole book. Another fascinating aspect is that another character, Welty Blackwell, despite having only a short dialogue in the whole book, is still an imposing presence in the story and is someone I know I will remember long after the story ended.

The Goldfinch may suffer from some slow parts when the author gets too hooked up on details specially when it comes to art and antique furniture (which are a big part of this book), but that same attention to detail injects most of her scenes with a liveliness that I came to appreciate. I felt gloomy when it was cloudy in New York City (where Theo lives), I could hear his wet footsteps on the carpet after walking in from heavy rain, I could feel the same warmth he felt when he was in the antique shop surrounded by old furniture and by the warmth and love of the people who loved him the most. Some of the best parts of this book were the scenes with Theo and Pippa together. The description of the settings, the mood Theo was describing, and the words they exchanged; everything was so real! (One of those best scenes is in the last two hundred pages I told you about)


So, the verdict: The Goldfinch is a big book, a heavy book; it’s a book you savour and read slowly with a cup of coffee in a comfortable chair, not a book to rush while sitting in a metal chair in the airport waiting for the last call for your flight.